Video Review: Star Trek: Picard

With only two episodes released, it may be early to give a serious review but there are things I feel I can comment upon.

First, Wow… this is so much better than Discovery!

Some things I like, it expands the canon rather than messing with it.  The dialog feels better.  What violence exists moves the plot rather than the other way around.  In just two episodes, we have been introduced to both the longer term plot and to interesting characters, with the promise of more to come.

But there are some silly tropes that I reacted very negatively to.

First is the horrendously dumb visual trope of transparent displays.  As a display technologist and inventor, this just bugs me and I’ve explained why before, but the second episode really demonstrated why its so dumb.  In one scene we have a double agent spy master with open windows viewing a video call on a transparently projected virtual screen with an incredibly low contrast because one can see the brightly lit view of the sunny view outside the window competing with the image on the screen.  Please, please, can we dump this dumb trope?  It’s as dated as silver lame clothing as a SciFi movie trope.

Next is the anachronistic presence of a mid-20th Century lamp shade in a Star Fleet office.  What would a spy master’s minimalist office decor be doing with such lamp shades in the late 24th Century?  Design usually follows function and technology. The modern lamp shade is a late 19th Century invention that came about because of the introduction of bright filament incandescent light bulbs.  Yes, we saw lots of such lamps and shades in Picard’s home.  But then, he is an antiquarian living in a home filled with antiques.  They made sense there.  But not elsewhere

What also didn’t work for me is Picard’s vineyard.  Amazing how much France looks like California’s wine country, complete with dry wild oats between the rows and a California live oak visible in the distance.  Perhaps I’m the only one who even noticed, but it pulled me right out of the story seeing my local wine country being used as a set for France.

Finally, why antagonize the SciFi reading audience with Picard, who is one to read Shakespeare, who refered to Azimov’s robot series as “the classics”, saying that he didn’t “get” science fiction?

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